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Christina
Lamb's 'personal voyage through Afghanistan' paints a vivid landscape
of the country, during and immediately after the Taliban. It is
so engaging and colourful that the grim realities of the tragic
land are transformed into a chronicle of adventure and discovery.
We have here a young British woman exploring the rugged land of
fearless warriors. She had, after all, been named the 'Young Journalist
of the Year' in 1988 for her dispatches from Afghanistan. But The
Sewing Circles of Herat is more literary than journalistic in its
delineation.
At the outset, Christina says: "My story like that of
Afghanistan has no beginning and no end." Yet the story has
been craftily designed. Its chapters have been interspersed with
short snatches from the letters and diary of a somewhat mysterious
Afghan woman, Marri, and it is in the last chapter that Christina
catches up with her in Kabul. Meanwhile, there are interesting encounters
with such familiar characters as Hamid Karzai (whom she had always
known as clean-shaven but who was now, after 9-11, growing a beard)
and Hamid Gul, whose ISI agents had apparently ransacked her Islamabad
residence in 1989 when her visa as a journalist was cancelled. She
was allowed back to Pakistan after the government was changed and
Hamid Gul was prematurely retired.
All
this is artistically embellished with the novelist's device of meandering
through time and place. And the scene is generally set with a poetic
touch. Consider these opening lines: "It was a sticky July
night, the eve of Princess Homaira Wali's wedding and she was wandering
restlessly in the moonlit garden of her father's palace in Kabul
when she heard the rumbling of tanks. The pale twenty-year old with
dark glossy hair and the spirited ranginess of the wild horses she
loved to tame, was King Zahir Shah's eldest grandchild, and her
wedding was to be the society event of the summer. The scent of
roses hung heavy on the night air and the princess had been thinking
about how her life was about to change for as a married women she
would no longer be able to sneak off from her bodyguards to go alone
to the movies or drive her car around town playing the Beatles."
True,
this is not an imaginary situation. But this comes from Christina's
interview with Homaira in Rome, when a woman of 48 reminisced about
the events of July 1973.
That
she had had such exciting forays into Pakistani and Afghan societies,
quizzing the likes of Maulana Sami-ul-Haq, illustrates how we cosy
up to foreign journalists. When they are attractive and smart women,
the outcome, in our feudal setting, can be very illuminating. We
had some evidence of this in Christina's earlier book about Pakistan:
Waiting for Allah. As an aside, it should be noted that there is
now a chain of women reporters covering wars and civil strife for
the western media. This is perhaps because women are not considered
combatants.
In any case, Christina was obviously able to excite our politicians
into candid conversations. To know more about Pashtunwali, she went
to see Iftikhar Gilani, "a silver-haired lawyer and politician
whom I had first known as a close friend of Benazir Bhutto."
This is how she concludes her account of that meeting: " 'We're
talking about a society where in my village a boy and girl kissing
is an unpardonable crime seen as worse than murder', said Iftikhar.
'The inevitable result is sodomy. It's the done thing in Pashtun
society because of women being shut away in houses. A good-looking
boy would have dozens of attempts made on him. I was a very handsome
youth and had lots of problems but fortunately our family name and
standing protected me. These Talibs have no such protection and
it starts with the kind of people who run these seminaries. We used
to say, 'Oh my God, he's a Talib and that meant he's sissy or he's
available
'".
Events
and experiences that are narrated in the book relate to her five-month
visit to Pakistan and Afghanistan and she returned to Afghanistan
after 12 years. She was named Foreign Correspondent of the Year
for her reporting from Pakistan and Afghanistan in The Sunday Times
following the terrorist attack of September 11, 2001. No doubt,
the thoughts that constitute this book are of a more subjective
nature than reports written for a newspaper are likely to be. Still,
numerous illustrations in the book preserve its historical point
of reference.
In many ways, the highlight of Christina's personal journey
is reflected in the book's title. It is incredibly touching to learn
that sewing classes in Herat were a camouflage for literary classes
for women. These classes also symbolised the resistance of the cultured
city. A child would watch outside in the lane to guard against a
Taliban raid. Here is stuff out of which a great movie can be made
- Afghan women clandestinely studying Shakespeare, Nabokov and Persian
poetry and risking lives to watch a smuggled video of 'The Titanic.'
It
is a measure of the interest that Christina's version has generated
that the book is being serialised in the Sunday magazine of Jang.
Afghanistan has traditionally inspired academic and literary exploration.
This enigmatic country became an international issue in the early
'80s, when the mujahideen, with 'covert' support from the CIA and
ISI, took on the Soviet invaders. Since then, Afghanistan has continued
to grab international headlines.
Pakistan
has retained its umbilical connection to the tribulations of Afghanistan
and it is necessary for our intelligentsia to be able to decipher
this relationship. Christina provides some very readable insights
into a traumatised Afghan society. Hopefully, she can invite the
reader to delve into more serious and scholarly interpretations
of Afghanistan's history and its recent tribulations.
Incidentally,
the Oxford University Press has just released three significant
books on Afghanistan. Two are written by Barnett R. Rubin, an American
professor of political science. The Fragmentation of Afghanistan
looks at state formation and collapse in the international system.
The other book, The Search for Peace in Afghanistan is a study of
Afghanistan's 14-year long civil war and the role that international
politics played in this debacle. The third book, by Edgar O'Ballance,
a British military officer who became a journalist, is titled: Afghan
Wars. It examines "battles in a hostile land, 1839 to the present."
Will
these books help us understand why Pakistan is now about the most
hated country in Afghanistan, after we have wounded ourselves so
critically in trying to 'save' our neighbours?
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